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DJ Like a Rock Star

JUKEBOX Players
Enjoy your music again on your own JUKEBOX.  DJ's, rent out spare equipment and let your customers Self-DJ.

DJ Players
DJ like a rock star.  From Light to twenty player Ultimate Edition with all the bells and whistles, mix music, your way.

Minii Players
Save space for bigger things. Drop files, playlists, and folders, on Minii to play your favorites.  Breed your Miniis for more of a good thing.

About Concrete DJ
While the name is new, the product isn't. Concrete DJ is actually third generation multimedia technology benefiting from many years in the mobile DJ industry, and from many years in the computer software industry.

What sets it apart is that it was actually designed, built, tested, and is still used in the field by it's DJ creator, Scott Pristel, aka Scott Edwards.

Just how enthusiastic?  Like a whole bunch.

The 60's

Even back to the 60's in Northeast Wisconsin, music was always the priority.  My parents saw to that with seven years of accordion lessons.  Yes, an accordion.  I still can't believe it either.  My friend Roger, highly successful audiophile and hi-fi store owner,  described the beautiful music an accordion makes like this, "The best sound it makes is when you toss it in the dumpster".

DJ'ing began with an old mono RCA cassette recorder, taping Top 40 songs on the radio, and crankin' tunes and getting encouragement from my parents,  "SCOTT!  TURN THAT THING DOWN!  N O W W W !!!".

At home, a Y-cable made with a soldering gun and some masking tape, connected the devil's music to the new RCA color console TV ... and the entertainment system inside ... using the built-in speakers.

The first DJ events used that old cassette recorder connected to the accordion's tube amp and two, 10" speakers.  "They call her ...".  The first 45 bought was Valerie by the Monkees.  The first album came from Santa.  It was "The Ballad of the Green Beret" from Sgt. Barry Sadler.  With another home-made cable, the recorder worked with records too!

It was a sad day, but after warbling itself to death, the old recorder finally wore out.  After a whole summer of cutting grass, selling veggies door-to-door, and shooting chipmunks in GrandPa's garden for a dime each (sorry about that animal activists -- I've since reformed) for the down payment, and a loan from Dad (plus interest), it was time to move on.  For $220, the cassette was replaced with a 4-track Webcor reel-to-reel recorder with built-in amp and two speakers. 
"SCOTT!  TURN THAT DOWN!
N O W W W !!!".

The 70's

The 70's are kinda hazy but here goes.  In high school, it started with a student job working for the Audio-Visual department.  It wasn't all glory and came to a halt for getting caught spinning the reel, reeeeeeeely, reeeeeeeely, fast on an old projector.

After a terrible failure as a farmer trying to grow corn, but success growing other things unmentionable, it was time for a real job on the wash rack at father's car dealership.  It wasn't all that much fun washing but it sure was fun squealing tires and driving cars around at age 14.

It paid to have a real job and that first car, a 1965 Plymouth Belvedere was really hot.  The chicks digged it.  Told the guys it was a hemi, but is was really just a slant six under the hood and they didn't know any better.  The AM radio really cranked though with that extra 6 x 9 speaker way in the back.

And then it happened.  At a hot lunch table, this guy a year ahead in school asked me if I wanted to take over for him as a radio DJ at the local station.  "You talking to me?".  It was hard to respond ... eating the celery sticks filled with peanut butter they fed us.

It was 1972 and now it was off to the big time.  That '65 had a really big dent in the door from turning too sharp in the church parking lot and crunching into the basket ball hoop post after a really, really rough Saturday night.  Boy, was that embarrassing.

So the radio star quit his job washing cars and relied solely on spinning discs at WMAM.  Organizing radio contests like the great smelt races, horns beeped when asked on the air, as kids screeched across the Interstate bridge near the radio station.

Oh, and the parties!!  Grandma was really mad when Scott wasn't on the radio that Sunday morning at 5 A.M.  Scott was really surprised when Grandma woke him up and found those kids all over.  Mom and Dad still don't know.  Either does my boss at the radio station, rest his soul.

One day, radio friend Shmorten (how about that for a nickname), much to the dismay of his parents, spent his life savings on 4 really big Bic Venturi speakers, a pair of belt-drive turntables and a couple Kenwood amplifiers.  Tally Ho!

With not all that much persuasion, we hauled the speakers, amps, turntables, etc., from his 8 x 8 room downstairs.  The first mobile DJ work was spinning discs at high school dances with Shmorten's $2000 stereo.  Can you say party?

Got $225 for that Belvedere, even with the dent.  It was way cooler driving to gigs in a 1968 Plymouth Barracuda convertible and listening to Queen with two speakers on the back seat.  They could easily be removed for important back seat functions.

After a little entrepreneurship, like securing McDonalds, Angeli's and a few other major advertisers and convincing the owner of WMAM to go ahead with my new underground radio show, life was really, really good.

With inspiration from KAAY in Little Rock, AK, Captain Rowdy, Botts, Charlie, and lots of other guests helped Scott Edwards DJ from 11PM until 1AM every Saturday night.  There is a ton more we simply can't talk about.

As a fringe benefit, Dave, Bott's boss at the Underground Sunshine record store, let me record anything I wanted.  I had graduated to an 8-track recorder because I was into hi-fi.  You've never seen so many 8-track tapes!

It was fun while it lasted.  At least I think so.  After escaping Vietnam when they turned off the war, it was off to college in the big city of Madison, Wisconsin, with a home soldered, kit-built Hafler amp and preamp from Roger at the Sound Seller and two used KLH speakers.

In Madison, WI, beer money was always a priority.  To that end, Scott landed a part-time job as an audio-visual technician at the UW-Madison.  Life was good.  The parties were amazing.  School, well...  The head of the Medical Technology department said I was the first intern that flunked out ever from the UW-Madison medical school.  Well, at least I was first at something.  It was time for a change.

The 80's

After half a decade selling door-to-door insurance and then cars it was back to school, this time in computer science.  Scott's friend and computer mentor, Mike, now a consultant for the NSA in Baltimore, MD, helped land his first programming job while still in school.  It was fun programming.  It was even more fun listening to tunes on Mike's 8 foot tall Acoustat speakers.

After a lot of BS, and one in computer science with a Chemistry minor, it was 1982 and off to the East Coast for fame and fortune.   Unfortunately, tragedy cut short a dream  career in technology for a Fortune 500 biotech company near Boston.  It was back to Northeastern Wisconsin in late 1990. 

The 90's 

After much more horrible tragedies in 1993, 1994, and then again in 1997, while self-employed as a Mr. Mom with 3 kids in the computer industry, it looked like the music was over.  But then, healed from the comfort only music can provide, it was back again.  It was time to crank up the volume, once again as a mobile DJ.

The New Millennium 

The world didn't end in 2000 as was predicted, and times were good, DJ'ing, doing sound at small concerts, renting out Self-DJ systems, and computer consulting.  But times, they were a changin'.  After getting "Jennied", and losing a 10 year consulting gig in February 2007, and then losing other work with a tanking economy soon afterward, it was time for something else.  But what?

Tequila.  And lots of it.  The faithful Tequila JUKEBOX DJ software, used for years, was completely rewritten and the name changed to Concrete DJ to avoid issues with alcohol.  After 10,000 hours to develop and street test the latest technology, it is time to rock with the Concrete DJ family of media players.

While there is a lot more to this story, thanks for reading, but thank you even more for considering Concrete DJ products for your entertainment needs.

By the way, anybody got some tequila?

Let's Rock!

Sincerely,


Scott Pristel
Creator of Concrete DJ
AKA DJ Scott Edwards

Generation 1

In late 1998, work began on one of the very first media players in the world with sound engine technology from Germany.  The GEN 1 product, DJ Jukebox  beat lugging CD's, never skipped, and could cross-fade.  DJ Jukebox sidelined this DJ's CD-players forever.

 


DJ Jukebox Main Menu

 

In late 2000, the name DJ Jukebox was changed to Tequila JUKEBOX after inspiration from way too much tequila at a local bar gig and the idea from a creative brother in-law, Paul.

 


Tequila JUKEBOX Software Box, February 2001

 

A few copies of Tequila JUKEBOX were sold, but not too many.  However, years later, Tequila JUKEBOX is still used because of its unique features, dependable operation and ease-of-use.  A retro version using the new Concrete DJ technology is planned down the road.

 


Scott Edwards DJ'ing with Tequila JUKEBOX, January 2001

 

In 2001, a break-thru add-on called Tequila REQUESTS made it easy for guests send requests to the DJ using a touch screen kiosk.  This technology evolved into the current Self-DJ JUKEBOX software and is available in Concrete DJ, Ultimate Edition.

 


Tequila REQUESTS first outing, January 2001

 

Being able to send the DJ requests remotely had never been done before.  It was a big hit with the crowd plus it made it much easier for the DJ.  It also made the Tequila JUKEBOX service unique.

 


Touch REQUESTS at Peshtigo Historical Day, September 2001

 

Generation 2

In 2002, with much better sound engine technology, this time from Italy, the GEN 2 product was created.  Tequila JUKEBOX became extremely stable and a limited number of copies were sold.  In 2005, a stand-alone version created a whole new way to DJ.  This new way to DJ was called "Self-DJ".  Guests could now run the whole show!  Someone designated as the "Self-DJ" was given a special password to be able to change volume, reject songs and perform other basic functions as needed.

 

Generation 3

GEN 3 development began in 2007.  In 2008, the new technology product was ready for testing. On July 4th, 2009, Independence Day, the first product in the family of Concrete DJ media players, Self-DJ JUKEBOX, went on-sale at http:/www.concreteDJ.com.

 

  
DJ Scott Edwards & the Music Experience, January 2001 using the original Tequila JUKEBOX software

 


  Self-DJ, a completely new way to DJ

 

 

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